En:Workshop Royal Art - Versionsgeschichte

Jens Rusch am 8. Februar 2013 um 16:22 Uhr

2013-02-08T16:22:58Z

← Nächstältere Version		Version vom 8. Februar 2013, 18:22 Uhr
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	[[Datei:Rauhe Bronze.jpg\|thumb\|400px\|Finally , there is a rough stone, all cast in bronze, in front of us. The height is now 14 cm and the diagonal to the tip of the compass 19 cm. The ornate symbolism takes us back a bit into the origins of German Freemasonry.]]		[[Datei:Rauhe Bronze.jpg\|thumb\|400px\|Finally , there is a rough stone, all cast in bronze, in front of us. The height is now 14 cm and the diagonal to the tip of the compass 19 cm. The ornate symbolism takes us back a bit into the origins of German Freemasonry.]]

	~~== "Vanitas vanitatum" ==~~

	Vanitas themes were common in medieval funerary art, with most surviving examples in sculpture. By the 15th century these could be extremely morbid and explicit, reflecting an increased obsession with death and decay also seen in the Ars moriendi, Danse Macabre, and the overlapping motif of the Memento mori. From the Renaissance such motifs gradually became more indirect, and as the still-life genre became popular, found a home there. Paintings executed in the vanitas style were meant to remind viewers of the transience of life, the futility of pleasure, and the certainty of death. They also provided a moral justification for many paintings of attractive objects.

	Common vanitas symbols include skulls, which are a reminder of the certainty of death; rotten fruit, which symbolizes decay; bubbles, which symbolize the brevity of life and suddenness of death; smoke, watches, and hourglasses, which symbolize the brevity of life; and musical instruments, which symbolize brevity and the ephemeral nature of life. Fruit, flowers and butterflies can be interpreted in the same way, and a peeled lemon, as well as accompanying seafood was, like life, attractive to look at, but bitter to taste. There is debate among art historians as to how much, and how seriously, the vanitas theme is implied in still-life paintings without explicit imagery such as a skull. As in much moralistic genre painting, the enjoyment evoked by the sensuous depiction of the subject is in a certain conflict with the moralistic message.
	== Number of copies ==		== Number of copies ==
	The engraved numbering will be provided after receipt of order. Favourite numbers can be engraved only in exceptional cases. Each copy signed by the artist. Engraved dedications to customer's requirements at no extra cost.		The engraved numbering will be provided after receipt of order. Favourite numbers can be engraved only in exceptional cases. Each copy signed by the artist. Engraved dedications to customer's requirements at no extra cost.

Oberg am 14. September 2012 um 21:49 Uhr

2012-09-14T21:49:11Z

← Nächstältere Version		Version vom 14. September 2012, 23:49 Uhr
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	[[Datei:Rauhe Bronze.jpg\|thumb\|400px\|Finally , there is a rough stone, all cast in bronze, in front of us. The height is now 14 cm and the diagonal to the tip of the compass 19 cm. The ornate symbolism takes us back a bit into the origins of German Freemasonry.]]		[[Datei:Rauhe Bronze.jpg\|thumb\|400px\|Finally , there is a rough stone, all cast in bronze, in front of us. The height is now 14 cm and the diagonal to the tip of the compass 19 cm. The ornate symbolism takes us back a bit into the origins of German Freemasonry.]]


	== "Vanitas vanitatum" ==		== "Vanitas vanitatum" ==


	Vanitas themes were common in medieval funerary art, with most surviving examples in sculpture. By the 15th century these could be extremely morbid and explicit, reflecting an increased obsession with death and decay also seen in the Ars moriendi, Danse Macabre, and the overlapping motif of the Memento mori. From the Renaissance such motifs gradually became more indirect, and as the still-life genre became popular, found a home there. Paintings executed in the vanitas style were meant to remind viewers of the transience of life, the futility of pleasure, and the certainty of death. They also provided a moral justification for many paintings of attractive objects.		Vanitas themes were common in medieval funerary art, with most surviving examples in sculpture. By the 15th century these could be extremely morbid and explicit, reflecting an increased obsession with death and decay also seen in the Ars moriendi, Danse Macabre, and the overlapping motif of the Memento mori. From the Renaissance such motifs gradually became more indirect, and as the still-life genre became popular, found a home there. Paintings executed in the vanitas style were meant to remind viewers of the transience of life, the futility of pleasure, and the certainty of death. They also provided a moral justification for many paintings of attractive objects.
Zeile 29:		Zeile 27:
	== Number of copies ==		== Number of copies ==
	The engraved numbering will be provided after receipt of order. Favourite numbers can be engraved only in exceptional cases. Each copy signed by the artist. Engraved dedications to customer's requirements at no extra cost.		The engraved numbering will be provided after receipt of order. Favourite numbers can be engraved only in exceptional cases. Each copy signed by the artist. Engraved dedications to customer's requirements at no extra cost.


	== Delivery time ==		== Delivery time ==
	The cast will be commissioned only after receipt of order. The delivery time is entirely dependent on the order situation of the bronze foundry. It is therefore advisable to anticipate a longer delivery time.		The cast will be commissioned only after receipt of order. The delivery time is entirely dependent on the order situation of the bronze foundry. It is therefore advisable to anticipate a longer delivery time.

	~~== Prices ==~~		== Links ==

	== Links: ==
	*[[Absalom zu den drei Nesseln]]		*[[Absalom zu den drei Nesseln]]
	*[[Georg Wilhelm Ludwig von Oberg]]		*[[Georg Wilhelm Ludwig von Oberg]]
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	*[[Absaloms Namen]]		*[[Absaloms Namen]]
	*[[Traktat: Georg Wilhelm von Oberg]]		*[[Traktat: Georg Wilhelm von Oberg]]



			[[Kategorie:Art\|Workshop]]

Jens Rusch am 28. Mai 2012 um 14:40 Uhr

2012-05-28T14:40:29Z

← Nächstältere Version		Version vom 28. Mai 2012, 16:40 Uhr
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	[[Datei:Bronze1hellerHG.jpg\|thumb\|400px\|This bronze was created by Br Jens Rusch as a reminiscence of the founding fathers of German Freemasonry at the occasion of the 275th anniversary of the founding of the first German Masonic lodge in Hamburg.]]		[[Datei:Bronze1hellerHG.jpg\|thumb\|400px\|This bronze was created by Br Jens Rusch as a reminiscence of the founding fathers of German Freemasonry at the occasion of the 275th anniversary of the founding of the first German Masonic lodge in Hamburg.]]
	[[Datei:Bronze Detail.jpg\|thumb\|left\|350px]]		[[Datei:Bronze Detail.jpg\|thumb\|left\|350px]]
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	[[Datei:Rauhe Bronze.jpg\|thumb\|400px\|Finally , there is a rough stone, all cast in bronze, in front of us. The height is now 14 cm and the diagonal to the tip of the compass 19 cm. The ornate symbolism takes us back a bit into the origins of German Freemasonry.]]		[[Datei:Rauhe Bronze.jpg\|thumb\|400px\|Finally , there is a rough stone, all cast in bronze, in front of us. The height is now 14 cm and the diagonal to the tip of the compass 19 cm. The ornate symbolism takes us back a bit into the origins of German Freemasonry.]]


			== "Vanitas vanitatum" ==


			Vanitas themes were common in medieval funerary art, with most surviving examples in sculpture. By the 15th century these could be extremely morbid and explicit, reflecting an increased obsession with death and decay also seen in the Ars moriendi, Danse Macabre, and the overlapping motif of the Memento mori. From the Renaissance such motifs gradually became more indirect, and as the still-life genre became popular, found a home there. Paintings executed in the vanitas style were meant to remind viewers of the transience of life, the futility of pleasure, and the certainty of death. They also provided a moral justification for many paintings of attractive objects.

			Common vanitas symbols include skulls, which are a reminder of the certainty of death; rotten fruit, which symbolizes decay; bubbles, which symbolize the brevity of life and suddenness of death; smoke, watches, and hourglasses, which symbolize the brevity of life; and musical instruments, which symbolize brevity and the ephemeral nature of life. Fruit, flowers and butterflies can be interpreted in the same way, and a peeled lemon, as well as accompanying seafood was, like life, attractive to look at, but bitter to taste. There is debate among art historians as to how much, and how seriously, the vanitas theme is implied in still-life paintings without explicit imagery such as a skull. As in much moralistic genre painting, the enjoyment evoked by the sensuous depiction of the subject is in a certain conflict with the moralistic message.
	== Number of copies ==		== Number of copies ==
	The engraved numbering will be provided after receipt of order. Favourite numbers can be engraved only in exceptional cases. Each copy signed by the artist. Engraved dedications to customer's requirements at no extra cost.		The engraved numbering will be provided after receipt of order. Favourite numbers can be engraved only in exceptional cases. Each copy signed by the artist. Engraved dedications to customer's requirements at no extra cost.

Jens Rusch am 28. Mai 2012 um 14:24 Uhr

2012-05-28T14:24:51Z

← Nächstältere Version		Version vom 28. Mai 2012, 16:24 Uhr
Zeile 1:		Zeile 1:

	[[Datei:Bronze1hellerHG.jpg\|thumb\|400px\|This bronze was created by Br Jens Rusch as a reminiscence of the founding fathers of German Freemasonry at the occasion of the 275th anniversary of the founding of the first German Masonic lodge in Hamburg.]]		[[Datei:Bronze1hellerHG.jpg\|thumb\|400px\|This bronze was created by Br Jens Rusch as a reminiscence of the founding fathers of German Freemasonry at the occasion of the 275th anniversary of the founding of the first German Masonic lodge in Hamburg.]]
	[[Datei:Bronze Detail.jpg\|thumb\|left\|350px]]		[[Datei:Bronze Detail.jpg\|thumb\|left\|350px]]

	== Workshop "Royal Art" ==		== Workshop "Royal Art" ==
			Thanks for translation to Bro Edward Schmidt-Zeuner

	[[Datei:Wachsmodellierung.jpg\|thumb\|left\|350px\|Each bronze is preceded by a wax model in the studio of Jens Rusch. He is using paraffin, dyed with black soot. By applying this process one can best assess the plasticity and the bronze shine at a later stage. This subject existed already in a similar form, but with a symbolism related to the Entered Apprentice degree. At the occasion of the significant anniversary a clear reference to the German prime lodge "[[Absalom]]" was added.]]		[[Datei:Wachsmodellierung.jpg\|thumb\|left\|350px\|Each bronze is preceded by a wax model in the studio of Jens Rusch. He is using paraffin, dyed with black soot. By applying this process one can best assess the plasticity and the bronze shine at a later stage. This subject existed already in a similar form, but with a symbolism related to the Entered Apprentice degree. At the occasion of the significant anniversary a clear reference to the German prime lodge "[[Absalom]]" was added.]]

Jens Rusch: /* Workshop Königliche Kunst */

2012-05-28T14:23:35Z

Workshop Königliche Kunst

← Nächstältere Version		Version vom 28. Mai 2012, 16:23 Uhr
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	[[Datei:Bronze Detail.jpg\|thumb\|left\|350px]]		[[Datei:Bronze Detail.jpg\|thumb\|left\|350px]]

	== Workshop ~~Königliche Kunst~~ ==		== Workshop "Royal Art" ==
	[[Datei:Wachsmodellierung.jpg\|thumb\|left\|350px\|Each bronze is preceded by a wax model in the studio of Jens Rusch. He is using paraffin, dyed with black soot. By applying this process one can best assess the plasticity and the bronze shine at a later stage. This subject existed already in a similar form, but with a symbolism related to the Entered Apprentice degree. At the occasion of the significant anniversary a clear reference to the German prime lodge "[[Absalom]]" was added.]]		[[Datei:Wachsmodellierung.jpg\|thumb\|left\|350px\|Each bronze is preceded by a wax model in the studio of Jens Rusch. He is using paraffin, dyed with black soot. By applying this process one can best assess the plasticity and the bronze shine at a later stage. This subject existed already in a similar form, but with a symbolism related to the Entered Apprentice degree. At the occasion of the significant anniversary a clear reference to the German prime lodge "[[Absalom]]" was added.]]

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	[[Datei:Rauhe Bronze.jpg\|thumb\|400px\|Finally , there is a rough stone, all cast in bronze, in front of us. The height is now 14 cm and the diagonal to the tip of the compass 19 cm. The ornate symbolism takes us back a bit into the origins of German Freemasonry.]]		[[Datei:Rauhe Bronze.jpg\|thumb\|400px\|Finally , there is a rough stone, all cast in bronze, in front of us. The height is now 14 cm and the diagonal to the tip of the compass 19 cm. The ornate symbolism takes us back a bit into the origins of German Freemasonry.]]



	== Number of copies ==		== Number of copies ==

Jens Rusch: Die Seite wurde neu angelegt: „[[Datei:Bronze1hellerHG.jpg|thumb|400px|This bronze was created by Br Jens Rusch as a reminiscence of the founding fathers of German Freemasonry at the occasion o…“

2012-05-28T14:23:10Z

Die Seite wurde neu angelegt: „[[Datei:Bronze1hellerHG.jpg|thumb|400px|This bronze was created by Br Jens Rusch as a reminiscence of the founding fathers of German Freemasonry at the occasion o…“

Neue Seite

[[Datei:Bronze1hellerHG.jpg|thumb|400px|This bronze was created by Br Jens Rusch as a reminiscence of the founding fathers of German Freemasonry at the occasion of the 275th anniversary of the founding of the first German Masonic lodge in Hamburg.]]
[[Datei:Bronze Detail.jpg|thumb|left|350px]]

== Workshop Königliche Kunst ==
[[Datei:Wachsmodellierung.jpg|thumb|left|350px|Each bronze is preceded by a wax model in the studio of Jens Rusch. He is using paraffin, dyed with black soot. By applying this process one can best assess the plasticity and the bronze shine at a later stage. This subject existed already in a similar form, but with a symbolism related to the Entered Apprentice degree. At the occasion of the significant anniversary a clear reference to the German prime lodge "[[Absalom]]" was added.]]

[[Datei:Guss2.jpg|thumb|400px|The fire clay shell mold encases the wax sculpture at the beginning, then the wax model is melted by heat. The expression for this is a "lost mould". The resulting cavity is now accurately filled with burning hot magma at 1200 degrees.]]

[[Datei:Guss1.jpg|thumb|left|350px]]
[[Datei:Patinierung1.jpg|thumb|400px|In order to give the necessary patina to the sculpture, which is freed from the fire clay shell, the figure is again heat treated to a high temperature. The patination process is usually done by nature, as one can see on church roofs turning green. In this case the process is just accelerated by application of heat and various acids.]]

[[Datei:Patinierung2.jpg|thumb|left|350px|Here is another photo of the heating of the bronze figure.]]
[[Datei:Säure.jpg|thumb|400px|Acid is now injected into the glowing figure basing on own recipes. An unhealthy process. Depending on the composition, a patina changing into black-brown or the well known green patina of church roofs can be achieved. At this point, the patineur
becomes an alchemists and the notes in the workshop books do not vary significantly from those of the colleagues in the Middle Ages.]]

[[Datei:Höhung.jpg|thumb|left|350px|As the dark patina now extends over the entire figure, glossy areas, such as the tip carved out from the rough stone and the Absalom medallion have to be polished. In case of excessive gloss, the acid treatment must be repeated.]]

[[Datei:Rauhe Bronze.jpg|thumb|400px|Finally , there is a rough stone, all cast in bronze, in front of us. The height is now 14 cm and the diagonal to the tip of the compass 19 cm. The ornate symbolism takes us back a bit into the origins of German Freemasonry.]]

== Number of copies ==
The engraved numbering will be provided after receipt of order. Favourite numbers can be engraved only in exceptional cases. Each copy signed by the artist. Engraved dedications to customer's requirements at no extra cost.

== Delivery time ==
The cast will be commissioned only after receipt of order. The delivery time is entirely dependent on the order situation of the bronze foundry. It is therefore advisable to anticipate a longer delivery time.

== Prices ==

== Links: ==
*[[Absalom zu den drei Nesseln]]
*[[Georg Wilhelm Ludwig von Oberg]]
*[[Kaiserhofloge]]
*[[Absaloms Namen]]
*[[Traktat: Georg Wilhelm von Oberg]]